Letter From the Editor Issue #6


Read Whirlwind #6

Hello, and many thanks for reading Whirlwind issue #6. Instead of requiring a theme for this issue, we’ve gathered together a collection of diverse and urgent voices speaking on many different topics. However, there’s one common thread here, in that every work of writing we’ve published this time around just so happens to be poetry. This was only accidental, and yet it’s a happy mistake.

The first poem we have for you is by a stunningly talented fifteen year old girl who lives in Canada by the name of Farah Ghafoor. Her poem “buoyancy” looks at the catastrophic effects of climate change and pollution from the view of sea creatures. The next piece is by a young Jamaican woman, Gervanna Stephens, who speaks about what it means to live in a complex environment with conflicting emotions. The next two poets, Stella Pierides and Lynn White, both reside in the United Kingdom and share with us their feelings about the current migrant crisis in Europe. Then we have Glen Wilson, an Irish poet who reflects on an experience he had witnessing poverty in Paraguay.

After an extraordinary string of talent from overseas we have some impressive locals, Joe McCullough and Michelle Caporale, who give us two entertaining and intelligent manifestos on non-conformity and creativity. Then there’s San Francisco based Shizue Seigel, a past contributor from issue #5 who creates powerful images in the eyes of the downtrodden. Two Philly poets, James Feichthaler and Jennifer Schifano, have written about people on the streets. Feichthaler strikes the reader with his witty observations of a discarded slice of pizza and then examines the dichotomy of two definitions of the word bum. Schifano then moves us with her short yet powerful prose-poem about a destitute woman and her troubled past.

Another Canadian poet appears to continue the theme of poverty from our last issue, as J. J. Steinfeld ironically titles his poem “Property Values.” The piece uses humor and quirkiness in order to denote the absurdity of homelessness and the state of contemporary language. Howard Winn, an emeritus professor of English at SUNY and past contributor to issue #4, offers an ode to the great Lawrence Ferlinghetti. The poem, entitled “CITY LIGHTS,” effectively explains why the aforementioned poet and publisher has been such a vital influence on American poetry. We continue the San Francisco vibe with three haiku pieces by Frank Clayton that are beautiful poems describing the geography of the mysterious West Coast city. “Song of Yourself” is another subtle Clayton poem that meditates on Walt Whitman and asks why the grey poet chose a crypt to be buried in, among other questions.

The final two poems in Whirlwind issue #6 are by Rocky Wilson and Lamont Steptoe. Rocky’s “Tripping” is a commanding, allegorical piece set on a whale watching trip. Steptoe’s “Loose Ends” may have been written in the eighties, but it’s all the more relevant now in a world where violence, state oppression, and extremism run rampant. We conclude this fall issue with two reviews of brand new books by Prerna Bakshi and Dr. Mary Weems. Both Bakshi’s debut poetry collection, Burnt Rotis, With Love and Dr. Weems’ play collection Blackeyed are available to purchase online and certainly worthy additions to your library. There’s also a review by Jim Cory, a contributor from our first issue, who has shared with us his thoughts on two poetry collections by Jack Veasey. As always, we are grateful to our contributors and readers for supporting this publication. We look forward to sharing with you our next issue on indigenous peoples, and are open to submissions for it until January 1st, 2016.

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About Sean William Lynch
Sean William Lynch is a poet from New Jersey who was born in 1992. Lynch's first book of poems "the city of your mind" was published in 2013 by Whirlwind Press. Frank Sherlock, the poet laureate of Philadelphia, called Lynch's debut poetry book "visionary." CA Conrad claimed that the book was "marvelous!" S.W. Lynch's writing has been featured in numerous publications online and in print, including Milkfist, Poetry Quarterly, and Tincture Journal.

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